"Important fantasies we can escape to..."
(Tim) With sincere apologies to all the wee ones and their mothers, I think Disneyworld is too similar to hip preachers with full-service video venues to take the children for a visit. Really, do you want Disney's moral and spiritual authority to accrue to our Evangelical/Emergent theme parks?
Taryn Simon is a photographer...
who's a Guggenheim Fellow and has had her work shown at the Metropolitan Museum of Art. She's been working on photographing secret workings and hidden places. Recently she tried to get backstage at Disneyworld but she found the doors locked. Ms. Simon reports (in 2/2011 Wired, p. 60):Disney denied me access to its undergound facilities. Considering all of the high-level, off-limit areas I was entering for this work. it was one of the last places I anticipated being barred from. That said, the company's faxed letter was far better than any photograph I could have taken. Its closing read, "Especially during these violent times, I personally believe that the magical spell cast on guests who visit our theme parks is particularly important to protect and helps to provide them with an important fantasy they can escape to."




Comments
About Disney's reaction, I'm not at all surprised. That you seem to think mothers are great fantasists than fathers? Yes, that does surprise me.
We loved Disney World. We've been there twice in the last three years and plan to go back when our younger son turns three.
You can find a lot of behind the scenes stuff at Disney parks on youtube.
A guy at a SWAT school once told me that the Disney theme parks have two of the best SWAT teams on the planet. He was serious. We got a lot of laughs out of that one. Mickey Mouse just may have an MP5 submachine gun hidden somewhere in his get-up.
David,
That actually makes a bit of sense out of the refusal to cooperate with a photography project such as Simon's.
Kamilla
While waiting for our shuttle bus to leave the park late in the evening, our then three year old fell and hit his head. I went to the nearest office to see if I could find an ice pack. Ten minutes later, a Disneyworld-owned ambulance showed up - medic team and all - with an ice pack and a balloon. Our son soon forgot about the huge welt on his forehead.
David: Apparently they have their own hospital on property, too.
Having participated in a Nutcracker production locally (as a parent of dancers) I can assure you that the idea of "preserving the magic" is very important to fantasy entertainment, and I don't see anything creepy about it. In a relatively simple production like I was involved in, it mostly consisted of strictly forbidding any dancer in costume from appearing anywhere other than backstage while the audience was in the house, and discouraging anyone not directly related to the production from going backstage before the dancers were out of costume. When you are trying to create fantastic "magic" for people to enjoy, just as giant Christmas trees rising out of the floor, beautiful dancers dressed as snowflakes, and the like, you really don't want people looking at dancers putting blister tape over their feet, costume mistresses sewing people up into hastily finished costumes with thread and staples, property managers rigging up special effects, and so forth. This is all the more true when it is a fantasy oriented toward children.
If Disney's product of imaginary, fantastic magic is at all legitimate to begin with, then it doesn't seem amiss that they want to protect the magical mystery of it all.
I lump this in with watching a movie and seeing all the lighting, sound and camera equipment in the shot. Except when done for comic effect, not very entertaining.
I heard that the man who plays Big Bird on Sesame Street once came out to see his grandchildren wearing only the bottom half of the costume, and they all burst into tears. He decided that Big Bird is a real person to children, and seeing a man's body with Big Bird waist, legs and feet would be like seeing your dad's head on your mom's body. They instituted a strict policy about no child ever seeing half a costume.
I know there's a larger point here, but I'm not catching it.
I visited a church where one of the pastors came "on stage" in ripped jeans and a faded long-sleeve t-shirt to give announcements and open in prayer. He acted and dressed like he was about 17 but he looked my age- 43. Sure enough, he was my age. I asked a member of the church if he dressed that way during the week. I was told he usually wore something "nicer" but not a tie. The senior pastor had no holes in his jeans, but still projected the evangelical fantasy that being an "authentic Christian" is perpetual adolescence. I am guessing that the fantasy is well kept because only a handful of people out of the thousands that go there or watch from remote places see or meet any of the pastors in "real life".
I worked at Disneyland [Anaheim] the summer of '72. Wore costumes, went into employee areas behind the scenes, etc. It was all so unremarkable, I can't even picture what any of it looked like. Seen one Break Room, you've seen them all...
I was quite sad to find out on a recent trip back that the "20,000 Leagues Under the Sea" submarines were now something to do with to Finding Nemo, and the "Swiss Family Robinson Treehouse" was now occupied by Tarzan, among other undesirable "upgrades." I preferred escaping to the original fantasies.
Imagine Cinderella, Snow White, Aurora, Belle, Rapunzel, Alice, etc. looking like the hordes of modern tourists. Some fantasies are worth escaping to temporarily for one's own sanity.
I'll watch a "period" film over one in a contemporary setting any day.
[Wow - I just found a YouTube of the Original 1972 Main Street Electrical Parade I was in! Something to forward to the kids... Dad working at Disneyland when he was 18.]
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